School of Paris Prints, ca. 1930
GUEST: They were my grandparents'. They brought them back from Paris, they were hanging in our living room since before I was born.
APPRAISER: It's a wonderful collection, and these are really a quintessential group of what we call the school of Paris, the Paris artists working in 1930s and '40s. They've seen a lot, but they're still wonderful works on paper. We have a very recognizable artist, Pablo Picasso, and this is a very exciting print. It's a very early dry point. It was done in the 1930s, before he really broke onto the scene. You can tell though by his early signature, low right, it's a bit more cursive, not as angular as his later signature, and it's a very simple, classic design. It's a very scarce print, very rarely comes to auction, so it's an exciting find. It's hard to see, against the tone, it has been light struck. That's the darker color across the front. And most of these prints do have spotting, some damp issues. They need a little TLC, they can be conserved.
GUEST: Wonderful.
APPRAISER: Let's talk about the one in the middle. You wanted to know about her.
GUEST: Yeah, she's my favorite. She was in the living room and, absolutely my favorite. Her eyes are very piercing.
APPRAISER: Yes, and it's a very good example of the work of Marie Laurencin. She did a lot of lithographs. This is a lithograph, and it's done with a crayon, on the litho stone. It's very much her style. Her subjects do have these kind of simplified features, and almond-shaped eyes. The women are kind of mysterious, very kind of romantic subject matter for her. And then next to you is a beautiful early portrait by Henri Matisse. A portrait of his wife, and this again is an early crayon lithograph from the 1930s. It's also signed and numbered, and these are all limited edition prints, printed at the time.
GUEST: Okay.
APPRAISER: So you...
GUEST: So this is Madame Matisse, basically?
APPRAISER: Yes, yes.
GUEST: Very cool.
APPRAISER: So you have Matisse, Marie Laurencin, Pablo Picasso. Do you have any sense of what they might be worth?
GUEST: I have no sense.
APPRAISER: The values I'm gonna give you today, would be if they could be cleaned. Keeping that in mind, in good condition, the Picasso would be worth $10,000 to $15,000.
GUEST: Wow, okay.
APPRAISER: And the Marie Laurencin, not quite as big a name, but a beautiful print that's $3,000 to $5,000.
GUEST: Wonderful.
APPRAISER: And the Matisse would be worth $5,000 to $7,000. So we're looking about, approximately $18,000 to $25,000 at auction.
GUEST: And they're priceless to me.
APPRAISER: Yes.

$18,000 - $25,000 Auction
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Goodwin Commode & Tuchfarber Lithograph

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French Lithograph Poster, ca. 1910

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T. H. Benton County Politics Lithograph, ca. 1973
Understanding Our Appraisals
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Value can change: The value of an item is dependent upon many things, including the condition of the object itself, trends in the market for that kind of object, and the location where the item will be sold. These are just some of the reasons why the answer to the question "What's it worth?" is so often "It depends."
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