1953 Rita Hayworth Still Life Oil Painting
GUEST: My father's brother was a private secretary to Rita Hayworth and Burt Lancaster. Between movies, there was a lot of spare time and so Rita Hayworth took up oil painting. Self-taught, of course. This was one, uh, that she gave to my uncle. It was done in 1933.
APPRAISER: It's a oil on canvas.
GUEST: Mm-hmm.
APPRAISER: It's a lovely still life with fruit. And she kind of signed it just with her initials...
GUEST: Initials.
APPRAISER: ... uh, lower right and dated it 1953. The date you thought might be 1933.
GUEST: Someone said that because the five and the three look a lot-- that she was just a very good... (chuckles) signer.
APPRAISER: Right, good point, good point. In 1933, Rita Hayworth would have been 15 years old. And she wasn't even on contract with the studio yet.
GUEST: Mm.
APPRAISER: It's unlikely that that was the case.
GUEST: Yeah.
APPRAISER: '53 makes more sense because she was right in between, uh, movies and doing a lot at the time. It would have been a perfect time for her to be relaxing and painting.
GUEST: And that would be the same time with Burt Lancaster. Because they were the three of them.
APPRAISER: Correct, Burt Lancaster, Rita Hayworth, at that time, the '53 would have been the sweet spot for, for their film careers.
GUEST: Mm-hmm. Yes.
APPRAISER: And this person, if-if I hadn't known anything about it, I would say, fairly talented, probably an amateur weekend painter.
GUEST: Mm-hmm. Mm-hmm.
APPRAISER: But the fact that we know it's Rita Hayworth is pretty cool. (chuckles)
GUEST: Yeah. Yeah.
APPRAISER: So Rita Hayworth is actually one of my favorite, uh, actresses from the Golden Age of Hollywood.
GUEST: Mm.
APPRAISER: She was really started off as a dancer and then had contracts with some different studios in the early '30s. Had a memorable pinup photo taken of her by Life magazine in 1941, which was probably on 90% of the G.I.'s, uh, footlockers back in the day.
GUEST: Yeah. (chuckles) Right.
APPRAISER: And then a very memorable movie that did really well was Gilda. She had some difficulty with the studio later... late... in the late '40s. Took a bit of a break and then came back kind of in the early '50s and had a long and wonderful career. Because she was so memorable and because she has this Golden Age presence is why folks would be interested in this. Just like Frank Sinatra, Red Skelton, Winston Churchill, even George Bush, who-who took on painting. This kind of stress relief during their career or after their career. Honestly, she didn't do a lot of these. And she probably gave most of them to friends and family.
GUEST: She did.
APPRAISER: Because I couldn't find any really on the market. But clearly this wasn't a one-off. Conservatively at auction, it's something like $2,000 to $4,000.
GUEST: I see. Wow, well, that's more than we thought. (both laugh)
APPRAISER: You know, it's the power of celebrity.
GUEST: Yeah. More than I knew about it. I assumed she was probably a better actress than a painter. But that was...
APPRAISER: (laughs) Um, I think that's safe to say.
GUEST: (laughs)

$2,000 - $4,000 Auction
Featured In

episode
Red Butte Garden & Arboretum, Hour 3
Premiered Mon, Jan 19, 2026 — See a bounty of Utah treasures from ROADSHOW’s visit to Red Butte Garden & Arboretum!
Painting

appraisal
Frank Zappa Painting, ca. 1960

appraisal
Edgar Alwin Payne Painting, ca. 1925

appraisal
1888 Joseph Nāwahī Oil Painting

appraisal
Understanding Our Appraisals
Executive producer Marsha Bemko shares her tips for getting the most out of ANTIQUES ROADSHOW.
Value can change: The value of an item is dependent upon many things, including the condition of the object itself, trends in the market for that kind of object, and the location where the item will be sold. These are just some of the reasons why the answer to the question "What's it worth?" is so often "It depends."
Note the date: Take note of the date the appraisal was recorded. This information appears in the upper left corner of the page, with the label "Appraised On." Values change over time according to market forces, so the current value of the item could be higher, lower, or the same as when our expert first appraised it.
Context is key: Listen carefully. Most of our experts will give appraisal values in context. For example, you'll often hear them say what an item is worth "at auction," or "retail," or "for insurance purposes" (replacement value). Retail prices are different from wholesale prices. Often an auctioneer will talk about what she knows best: the auction market. A shop owner will usually talk about what he knows best: the retail price he'd place on the object in his shop. And though there are no hard and fast rules, an object's auction price can often be half its retail value; yet for other objects, an auction price could be higher than retail. As a rule, however, retail and insurance/replacement values are about the same.
Verbal approximations: The values given by the experts on ANTIQUES ROADSHOW are considered "verbal approximations of value." Technically, an "appraisal" is a legal document, generally for insurance purposes, written by a qualified expert and paid for by the owner of the item. An appraisal usually involves an extensive amount of research to establish authenticity, provenance, composition, method of construction, and other important attributes of a particular object.
Opinion of value: As with all appraisals, the verbal approximations of value given at ROADSHOW events are our experts' opinions formed from their knowledge of antiques and collectibles, market trends, and other factors. Although our valuations are based on research and experience, opinions can, and sometimes do, vary among experts.
Appraiser affiliations: Finally, the affiliation of the appraiser may have changed since the appraisal was recorded. To see current contact information for an appraiser in the ROADSHOW Archive, click on the link below the appraiser's picture. Our Appraiser Index also contains a complete list of active ROADSHOW appraisers and their contact details and biographies.


