{"id":21173,"date":"2020-10-20T14:38:34","date_gmt":"2020-10-20T21:38:34","guid":{"rendered":"https:\/\/www.pbs.org\/independentlens\/?post_type=blog&#038;p=21173"},"modified":"2023-09-06T16:10:45","modified_gmt":"2023-09-06T23:10:45","slug":"how-three-passionate-candidates-represent-women-shaping-the-future","status":"publish","type":"blog","link":"https:\/\/dipsy.pbs.org\/independentlens\/blog\/how-three-passionate-candidates-represent-women-shaping-the-future\/","title":{"rendered":"How Three Passionate Candidates Represent Women Shaping the Future"},"content":{"rendered":"<p>What does &#8220;representation&#8221; mean in the midst of a historically tense election year?\u00a0 In her film <strong><a href=\"https:\/\/www.pbs.org\/independentlens\/documentaries\/represent\/\"><em>Represent<\/em><\/a><\/strong>, filmmaker <span style=\"font-weight: 400;\"><strong>Hillary Bachelder<\/strong> sought to show the universal struggle to redefine repressive expectations for women in politics with a look at three women running for office in a male-dominated world.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Originally from Maine, Bachelder went to Chicago for schooling at Northwestern, worked for renowned documentary producer Kartemquin films as Director of Production (where she worked on the Emmy-award-winning <\/span><a href=\"https:\/\/www.pbs.org\/independentlens\/documentaries\/trials-of-muhammad-ali\/\"><i><span style=\"font-weight: 400;\">Trials of Muhammad Ali<\/span><\/i><\/a><span style=\"font-weight: 400;\"> and Oscar-nominated <\/span><i><span style=\"font-weight: 400;\">Minding the Gap<\/span><\/i><span style=\"font-weight: 400;\">)<\/span><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"font-weight: 400;\">and has embedded herself in the Midwest ever since. <\/span><span style=\"font-weight: 400;\">Bachelder also <\/span><a href=\"https:\/\/www.indiewire.com\/2020\/03\/covid-19-documentary-sustainability-crisis-1202219846\/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-weight: 400;\">wrote in detail <\/span><\/a><span style=\"font-weight: 400;\">about the struggles of being a filmmaker after the COVID pandemic hit hard. But despite her own loss of opportunities for the foreseeable future, she remains &#8220;cautiously hopeful for the future of <\/span><i><span style=\"font-weight: 400;\">Represent<\/span><\/i><span style=\"font-weight: 400;\">. The film follows three everyday women who ran for local office in their communities, on both sides of the aisle. In a national election year, their stories feel very much of the cultural and political zeitgeist.&#8221;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">&#8220;Heading into the homestretch of this year\u2019s election, <\/span><i><span style=\"font-weight: 400;\">Represent<\/span><\/i><span style=\"font-weight: 400;\"> feels like a balm,&#8221; wrote Monica Castillo for RogerEbert. &#8220;A reminder that, win or lose, there\u2019s something to be gained by reigniting people\u2019s interest in civil engagement, especially at the local and state level. You don\u2019t have to agree with everyone\u2019s politics in the documentary, but it\u2019s nonetheless fascinating to hear each story and feel reinvigorated and moved by their determination.&#8221; <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Bachelder talked to us about the meaning of representation, how the women running for office featured in the film came to trust her, and what they&#8217;re doing in the election year 2020.<\/span><!--more--><\/p>\n<p><span style=\"font-weight: 400;\"><pullquote class='left'>&#8220;I was looking for a window into the current political landscape, exploring the experiences of women in office beyond a tired &#8216;year of the woman&#8217; or &#8216;pink wave&#8217; trope.&#8221;<\/pullquote><\/span><\/p>\n<p><b>What led you to want to make this film? And what does the word &#8220;represent&#8221; as the title mean to you in the context of these stories?<\/b><\/p>\n<p><span style=\"font-weight: 400;\">In April of 2017, I sat in a sunlit room in Wisconsin, exchanging pleasantries with twenty or so local farmers. They were all women, and today they\u2019d all raised their hands to say they were interested in running for office.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In the five months since Hillary Clinton had lost the presidential election, I\u2019d been showing up to a lot of rooms like these and meeting women just like this. Unpolished but determined. Passionate about fire stations and ditches and the schools in their community and tired of waiting for someone else to fix things.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">I knew this was a story I wanted to tell.<\/span> I was looking for a window into the current political landscape and was interested in exploring the experiences of women in office beyond a tired \u201cyear of the woman\u201d or \u201cpink wave\u201d trope. <span style=\"font-weight: 400;\">Local politics felt like the perfect place to dig in\u2014an opportunity to both celebrate the important work being done at this level while interrogating the systemic failings and intrinsic biases apparent even in these \u201csmallest\u201d of elections. So I borrowed a friend\u2019s camera, packed up my car, and spent the next few years chasing Myya, Bryn, and Julie through parades and fundraisers and chili cook-offs across the Midwest.<\/span><\/p>\n<iframe loading=\"lazy\" title=\"Represent | Official Trailer | Independent Lens | PBS\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/qZdbgcElNic?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p><span style=\"font-weight: 400;\">With a film titled <\/span><i><span style=\"font-weight: 400;\">Represent,<\/span><\/i><span style=\"font-weight: 400;\"> it felt like my responsibility to ask big questions about the true power of representation. Yes, the demographics of elected officials are important, and gender identity, race, and sexual orientation on their own can be powerful symbols. But even more significant is a candidate stepping into a space that wasn\u2019t built for them and still unapologetically bringing their whole selves into the spotlight with them. It was this revelation that grew into the backbone of the film. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">While Myya and Julie and Bryn check all sorts of disparate demographic boxes, they share a universal struggle to redefine repressive expectations for women in politics, and to exist in the public eye on their own terms.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">I knew it was important, then, for me to present each woman as more than a campaign commercial. I needed to let them be full people with flaws, complicated relationships, and moments of vulnerability and opportunities for improvement. <\/span><i><span style=\"font-weight: 400;\">Represent<\/span><\/i><span style=\"font-weight: 400;\"> deepens these portraits by developing stakes that extend beyond the campaign trail, and the arc of the film ultimately continues past election night to paint a richly personal picture of joy, of loss, of mother-daughter relationships, owning your narrative, and of growth.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">I wanted to ask more from our audience as well. <\/span><i><span style=\"font-weight: 400;\">Represent <\/span><\/i><span style=\"font-weight: 400;\">pushes all of us to sit with people we may disagree with while still recognizing their worth, and to consider the subconscious creep of our own biases and preconceptions. Time and time again during production I found myself outside the lines of my original thesis, caught off guard by three complicated women and communities that defied conventional punditry. But it was these moments of discomfort, the grey areas and digressions, that I kept coming back to weeks later in the edit.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">So that\u2019s what I hope to offer now with <\/span><i><span style=\"font-weight: 400;\">Represent<\/span><\/i><span style=\"font-weight: 400;\">: a tender and often unexpected telling of three passionate candidates, the challenges they face, and a glimpse at what we all have to gain when women shape the future of our communities and ultimately, our country.<\/span><\/p>\n<p><b>What was the hardest thing you had to overcome in order to finish <em>Represent<\/em>?<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Every independent filmmaker struggles for funding. Without consistent institutional support, we run on a sweat equity economy and are too often forced to make artistic compromises. No money in the budget for a trip to Ohio? No scene.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In our case, that distance between myself as the director\/shooter in Chicago, Myya in Michigan, and Bryn in Ohio presented a particular challenge. We couldn\u2019t afford regular flights, so I drove. Over three years, I clocked about 33,000 miles crisscrossing the Midwest. I listened to a lot of podcasts. I slept at a lot of Red Roof Inns. I still dream about highway exits.\u00a0\u00a0<\/span><\/p>\n<p><b>Obviously establishing trust with these women and their families was extremely important to gain such intimate access. How did you get them to trust you and open up for the film for so long?<\/b><\/p>\n<p><span style=\"font-weight: 400;\">I did my best to be honest from the outset with Myya, Bryn, and Julie about the type of film I wanted to make, the access to their lives that would require, and what I hoped to accomplish with the film\u2019s eventual release. I tried to make it clear that I would respect any boundary they needed to set.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">But in the end, there\u2019s no substitute for time spent with people. I built trust with each of them just by continuing to show up, month after month, and year after year. When there were rough patches, I put down the camera and we talked them out.<\/span><\/p>\n<blockquote class=\"twitter-tweet\" data-width=\"500\" data-dnt=\"true\">\n<p lang=\"en\" dir=\"ltr\">Fun fact:<br \/>Over the course of three years of shooting Represent, I:<br \/>&#8211; drove 30,000 miles (circumference of the earth is 24k miles)<br \/>&#8211; shot 300 hours of footage<br \/>&#8211; ate approx ten metric tons of pb&amp;j<\/p>\n<p>Does <a href=\"https:\/\/twitter.com\/Jif?ref_src=twsrc%5Etfw\">@Jif<\/a> want to sponsor my next film? <a href=\"https:\/\/twitter.com\/hashtag\/RepresentPBS?src=hash&amp;ref_src=twsrc%5Etfw\">#RepresentPBS<\/a> <a href=\"https:\/\/twitter.com\/hashtag\/WomenRepresent?src=hash&amp;ref_src=twsrc%5Etfw\">#WomenRepresent<\/a><\/p>\n<p>&mdash; The Film Represent (@represent_film) <a href=\"https:\/\/twitter.com\/represent_film\/status\/1320927561950629895?ref_src=twsrc%5Etfw\">October 27, 2020<\/a><\/p><\/blockquote>\n<p><script async src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<p><span style=\"font-weight: 400;\">They\u2019ve each been incredibly patient with me and with a filmmaking process that\u2019s constantly demanding, frustratingly opaque, and tediously slow. For that I\u2019ll always be grateful. And although I may have gained their trust some years ago, it\u2019s the ongoing job of any filmmaker, even after a film is \u201cfinished,\u201d not to lose it.<\/span><\/p>\n<p><b>What else did you film for <em>Represent<\/em> that you wish you were able to include?\u00a0<\/b><\/p>\n<p><span style=\"font-weight: 400;\">So much! We did such a deeper dive into many of the local issues that I would have loved to explore on screen. I could\u2019ve made a whole film (well, maybe short film) about the controversy surrounding the building of Granville\u2019s new fire station.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">I also followed up pretty extensively with some of the women who were members of the campaign teams we were focusing on. I wanted to represent the \u201cripple effect\u201d past Myya, Bryn, and Julie and into their broader communities. Sadly, most of these interviews and scenes were cut for the sake of time.<\/span><\/p>\n<p><b>Do you have your own personal favorite scene in <em>Represent<\/em>?<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Every election night was an emotional one. I wanted so badly for them all to win, for their hard work to pay off and for their communities to recognize their leadership potential. It was so hard not to put the camera down and just agonize over the returns alongside them.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Watching through the film now, I will also always cheer\/sing along in my head to Myya\u2019s music video. I mean, <em>come on<\/em>.<\/span><\/p>\n<p><b>What are your three favorite\/most influential documentaries or feature films?<\/b><\/p>\n<p><span style=\"font-weight: 400;\">So hard to choose. Some recent ones would be: <\/span><i><span style=\"font-weight: 400;\">Midnight Traveler, On Her Shoulders<\/span><\/i><span style=\"font-weight: 400;\">, and <\/span><i><span style=\"font-weight: 400;\">American Factory<\/span><\/i><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p><b>What film\/project(s) are you working on next?<\/b><\/p>\n<p><span style=\"font-weight: 400;\">I\u2019m currently focusing on shorter format projects. I\u2019m developing a hybrid animation\/ archival film now that centers around the grief we feel for strangers.\u00a0<\/span><\/p>\n<p><b>How about updates on how the three women featured in the film are doing this year?\u00a0<\/b><\/p>\n<p><span style=\"font-weight: 400;\">This is as of July 2020.<\/span><\/p>\n<p><strong>Myya Jones:<\/strong><\/p>\n<ul>\n<li><span style=\"font-weight: 400;\">Currently getting her MBA at Wayne State University;<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Still working in marketing for Google, very proud of having paid off all her campaign debts;<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Founded a group \u201cYoung People for Black Lives\u201d in the wake of George Floyd\u2019s murder;<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Still putting out political jams; her latest single is called \u201cDump Trump.\u201d<\/span><\/li>\n<\/ul>\n<p><strong>Bryn Bird:<\/strong><\/p>\n<ul>\n<li><span style=\"font-weight: 400;\">Running for Trustee re-election in 2021;<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Working part-time as Outreach Director for <\/span><span style=\"font-weight: 400;\">Rural Organizing<\/span><span style=\"font-weight: 400;\">, a national group of rural progressives<\/span><\/li>\n<\/ul>\n<p><strong>Julie Cho:<\/strong><\/p>\n<ul>\n<li><span style=\"font-weight: 400;\">Still involved with local Republican party chapter;<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Resumed her healthcare operations consulting practice;<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Working with community organizers &amp; nonprofits in the Chicago suburbs to create job training programs for local youth.<\/span><\/li>\n<\/ul>\n<p><b>Supporting Subjects:<\/b><\/p>\n<p><span style=\"font-weight: 400;\"><strong>Bobby Burns<\/strong> (Julie\u2019s campaign manager) <\/span><span style=\"font-weight: 400;\">continues to run campaigns around the Chicago area, most recently a progressive candidate for Illinois Supreme Court. <\/span><span style=\"font-weight: 400;\"><strong>Michelle Newman<\/strong> (Bryn\u2019s campaign team) h<\/span><span style=\"font-weight: 400;\">ad never been involved in a campaign before Bryn. Went on the following year to become campaign manager for a progressive County Commissioner candidate. And in November 2020 she\u2019s on the ballot herself for the State Board of Education.\u00a0 <\/span><span style=\"font-weight: 400;\"><strong>Ceciel Shaw<\/strong> (Founder of \u201cStrong Voices Rising\u201d and Bryn&#8217;s campaign volunteer) s<\/span><span style=\"font-weight: 400;\">uccessfully ran for the Granville School Board in 2019. <\/span><span style=\"font-weight: 400;\"><strong>Taylor Harrell<\/strong> (Myya\u2019s campaign team) <\/span><span style=\"font-weight: 400;\">ran for Detroit Charter Commission in 2018, and is currently running for State Representative in Michigan\u2019s House District 2.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>What does &#8220;representation&#8221; mean in the midst of a historically tense election year?\u00a0 In her film Represent, filmmaker Hillary Bachelder sought to show the universal struggle to redefine repressive expectations for women in politics with a look at three women running for office in a male-dominated world. Originally from Maine, Bachelder went to Chicago for [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":21182,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"categories":[938],"tags":[1289],"topic":[1256,1225,1227],"class_list":["post-21173","blog","type-blog","status-publish","has-post-thumbnail","hentry","category-interviews","tag-filmmaker-interview","topic-elections","topic-politics-and-government","topic-women-and-girls"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>How Three Passionate Candidates Represent Women Shaping the Future - Independent Lens<\/title>\n<meta name=\"description\" content=\"Hillary Bachelder talks about the meaning of representation and how the women running for office featured in her film Represent came to trust her.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dipsy.pbs.org\/independentlens\/blog\/how-three-passionate-candidates-represent-women-shaping-the-future\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"How Three Passionate Candidates Represent Women Shaping the Future - 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